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Why Do Filmmakers Love Elevators?



Elevators (or lifts) pop up in thousands of movies for seemingly no reason. After a bit more research, it turns out that filmmakers use them to enhance the story, characters, pacing and visuals. Here’s why.

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FOOTAGE FROM:

Oceans 11
Die Hard
Die Hard: With a Vengeance
The Matrix
Fatal Attraction
Speed
The Hangover
Toy Story
Blues Brothers
Harry Potter and the Deathly Hallows: Part 1
Mad Men
500 Days of Summer
Wolverine Origins
Teenage Mutant Ninja Turtles
Devil
Drive
RocknRolla
Captain America and the Winter Soldier
Star Wars: Revenge of the Sith
Star Wars: The Last Jedi
Aliens
The Usual Suspects
The Shining
Casino Royale
The Departed
The Godfather
The Grand Budapest Hotel
Lost in Translation
Silence of the Lambs
Elf
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_______________________________________________________________________ ATTRIBUTIONS: This video contains copyrighted material from the feature films listed above. I believe all content used falls under the remits of Fair Use (see below), but if any content owners would like to dispute this I will not hesitate to remove said content. It is not my intent in any way to infringe on their content ownership.

Contact: sceneitmoviereviews@gmail.com

Drive
Nicolas Winding Refn
Elevators
Elevators in films
Filmmakers
Movies
Directors
Cinematography

________________________________________________________________________ FAIR USE DISCLAIMER: As the original material is transformative in nature, uses no more of the original than necessary, and has no negative effect on the market for the original work, the copyright material has been used in accordance with the Fair Use Copyright Disclaimer under section 107 of the Copyright Act (1976): Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research.

FAIR DEALING DISCLAIMER: This video constitutes “Fair Dealing” and does not violate Australian copyright law. As outlined by the Australian Copyright Act of 1968, Division 3 Section 41: “A fair dealing with a literary, dramatic, musical or artistic work, or with an adaptation of a literary, dramatic or musical work, does not constitute an infringement of the copyright in the work if it is for the purpose of criticism or review, whether of that work or of another work, and a sufficient acknowledgment of the work is made.” The video is transformative in nature, uses no more of the original than necessary and has no negative effect on the market for the original work

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